texts
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F ACTA
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FACTA NON VERBA in Time
2 00 2 - 2 0 2 0
18 YEAR _cc78190-134bad5cf58d_
"Everything that happens in our theater
occur because it accepts the behavioral models of a homicidal society
and makes them look wonderful
still deals with many clichés
in a life of trials
makes the unbearable seem bearable
makes life look like
fun and enjoyable
and gives easy solutions and when I ask
because viewers allow this
I see with regret that this is exactly what is happening
because the life we lead is unbearable
and the fraud in scenes is a consolation
although no one believes her
but people prefer to pretend it is true because then things may not be so bad
and so the theater of our times is a place of fraud and distortion, _cc781905-5cde-31948 bb3
what is happening there is a deception
of the middle class and of the aristocrats
who want to be deceived
if you want to see the truth
you must be crazy, crazy enough
to face the horror. "
Julian Beck _
FACTA NON VERBA in Time
13 YEARS FACTA NON VERBA
Do not speak, do .
It has been more than ten years since a group of people came together to unite our anxieties, our concerns, our dreams and our fears, our love for theater and freedom and Facta Non Verba was born. We considered and still consider ourselves amateurs: lovers of art and like true lovers we threw ourselves passionately into love, leaving no obstacle to discourage us. We spent endless hours in a basement and learned to paint, to tile, to saw wood, to do what is possible to make our dream come true. Since then, of course, many things have changed and others have not. It is a conscious choice of the group to support and be supported, to communicate and co-organize with other social ventures that have as a priority the construction of a different and in our terms organization of life itself. And it is no longer a cliché to say that nowadays the choice to resist is imperative and timely.
Facta Non Verba is an anti-authoritarian group and considers theater by its very nature to be a collective art based on the equal cooperation of free creators. Otherwise it can not exist. In this context we can not perceive the creation and free expression as a product which is sold and bought and promoted by the market. So we try to create a free zone from the trade, the institutions, and the entertainment industry. A group that does not accept grants, does not talk to the regime media, does not have a ticket. We also chose the free contribution as a channel of communication with the people who share with us their respective concerns. The contribution as solidarity in this project. As a sign of the need and desire to continue to have this project and as a proposal of a different approach to others for future projects.
A practical implementation of the triptych Self-Organization-Resistance-Solidarity.
Especially in our day when the necessity of having a different organization of our own life becomes more imperative, our initial choice becomes more substantial.
Finally, to thank all those who from time to time supported us and we still continue to create and communicate with the terms we have chosen.
Facta non Verba 2015
FACTA NON VERBA in Time
8 YEARS FACTA NON VERBA
_cc781905-5cde-3194-bb3b-136bad5cf58d -b-the
for the theater and their common goal is the theater
in the service of social liberation,
we were fighting in a broken basement,
to make our vision a reality.
We learned to climb in scaffolding,
to paint oil paints, to paint tiles.
But what we have learned above all is
to collaborate and operate
within a collective.
Because theater by nature
is a collective art and only as such
can exist.
From this point of view, only revolutionary rhetoric serves to squander
the delusion. An excuse is being made
for lack of action.
It may be time, now, for a
where we will be more peaceful. Methodical.
Clear. Immediate. And energetic.
To expand the spirit.
To introduce big dreams.
And we tried to do it
and we try to do it.
We considered and considered our team
ότι είναι μια πολιτική ομάδα με θεατρικό_cc781905- 5cde-3194-bb3b-136bad5cf58d_
Orientation. A political group
belonging to the anti-authoritarian space.
Bet one: They are not used to it
such ventures in the specific area.
No man's land.
We decided to put ourselves
except of the artistic system,
because we consider that it does not serve
despite the culture of domination.
That it is just a mechanism of dementia.
None of us believe in the thousand-word candy that "things change from within".
So we never used the media either
this mechanism, nor its sponsorships,
nor its grants.
b-31
her performances and actions
only me my own media:
her posters and leaflets.
The criticism we have received is that we lack
from the world the right to information
and that they finally watch our performances
our friends and our relatives. But we believe
and suggest the position that everyone chooses
its information and its communication channel.
There is no happier moment than this
that you look at the audience and see a mixed group of people who do not expect you to have fun.
facta non verba
Page 236, verse 115, book The life of the theater
Author: Julian Beck
Do not speak, do .
At the same time we went one step further. We decided to remove the concept
of the ticket. Of course, this does not mean
that what we do is great.
With the abolition of the ticket we oppose customer and consumer relations.
The relationship we seek to have with the public
is interactive and two-way.
We do not cost what we do.
It is not a product. We do not even choose
the logic of the indicative price,
to cover the cost of the show.
We want the third
to contribute financially when it is an option
own and considers that such procedures
and ventures are important to happen. So here comes the review which asks
if we had so many people if we had a ticket.
This third bet is and the most difficult.
Release the relationship between creation
and financial costs. Of this kind
the commercial relationship between free expression
and communication.
The phenomenon of αd is frequent
to make this relationship possible.
Τη στιγμή που συμβαίνει όμως το αίσθημα της πληρότητας είναι διάχυτο. Μακάρι να μη χρειαστεί ποτέ να αναγκαστούμε_cc781905-5cde -3194-bb3b-136bad5cf58d_to abandon our vision due to financial problems.
After all, we are quite stubborn
not to do that. We just want
to understand the difference between
in the free events of the Municipality of Thessaloniki and our performances.
The last two years, Facta Non Ver
in a process of socialization and exchange
has set up two libertarian laboratories,
one theatrical and the other artistic expression,
while yoga classes are also held. Knowledge and experience are not property.
In this context, they are made
and the above courses.
In the same context have taken place both libertarian festivals of theatrical expression
as a meeting place and exchange.
Because creation and free are not said, neither are they created, nor are they free.
Lilith
FnV 2010
FACTA NON VERBA in Time
ΓΕΝΕΣΗ FACTA NON
To put our art in the vision
and not the ghost of freedom.
That's the reason we decided
to create the theatrical group
Facta Non Verba .
A team that works
in the context of anti-authoritarian collectivism
and does not accept authorities, pioneers, intellectuals and artistic elites.
Against the standards that are imposed
from the culture of domination
against ourselves
and our insecurities,
we will try to walk
to the road
of social liberation.
Theater is by nature
an art on purely collective basis.
It is a ritual that has a purpose
to revitalize society.
Otherwise it has no reason to exist.
Today, in the service of power,
has lost its meaning and its power.
That is why the theater must become anarchist.
To regain its true purpose.
That of transformation, of knowledge,
of sensuality and clarity.
FnV 2 00 2
2002 - 2020
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